Produce Your Show With Us

We're not an empty room with a date on the calendar. We sell your tickets alongside you — because we don't get paid until you do.

We only make money when you make money. Our revenue comes out of tickets sold — so our platform, our box office, our broker contracts, and our sales data are all pointed at the same thing you are: filling the room, every performance, not just opening night.

Read this first: this is a producer partnership, not a talent booking.

We do not book or hire acts. We don't pay performers, bands, or entertainers to appear, and we don't fund productions. These rooms are for producers who run their own show and carry their own costs — you pay your cast and crew, your advertising, and your production expenses, and the show's ticket revenue is settled to you on the deal we agree.

If you're an artist, band, agent, or manager looking for a paid engagement, we're not the right venue and this isn't the right form.

An Empty Room Hands You Keys

Most venues rent you four walls and a date, then wait to be paid. Here's the difference in what happens after you sign.

Renting a room

  • Four walls and a date on a calendar.
  • Ticketing is your problem — source it, pay for it, staff it.
  • You run the box office, will-call, and the door.
  • You find every single buyer yourself.
  • Sales data lives somewhere else, if it exists at all.
  • The venue gets paid whether you sell 20 seats or 200.

Producing with us

  • A room that's already built, staffed, and running shows.
  • Our ticketing platform, seat maps, and fulfillment — no vendor contract.
  • Our box office, will-call, scanning, and door staff work your show.
  • Your tickets go out through our broker and outlet contracts, our 900-domain network, and our own media outlet.
  • Live sales data in your portal — and an operator reading it with you.
  • We're paid out of the same tickets you are.

That last line is the whole point. We can't win on a night you lose — so a soft Tuesday, a mispriced tier, or an on-sale that isn't converting is our problem too, and we'll be in it with you well before the run is over.

What You Get That an Empty Room Can't Give You

Intimate rooms at Alexis Park Resort, minutes off the Strip — run by an operator that produces its own shows in these same rooms.

The Rooms — and What's In Them

Four distinct rooms on one property, each already built and staffed for live production — including an 80-foot LED wall in the Athena Showlounge. Click any room for photos, seating charts, and what's playing in it now.

Pegasus Showroom

Indoor · Flexible floor

  • Sound engineered and acoustically tuned for live vocals and instrumentation — concert-quality audio front to back.
  • Professional lighting production built into the room.
  • Reconfigurable floor: seated, standing room, or a mix, depending on the show.
  • Nightclub intimacy with showroom production values — close enough for direct audience interaction.
  • Climate controlled; ADA accessible.
  • Pegasus Bar & Grill attached for pre- and post-show food and bar.

Athena Showlounge

Indoor · Theater seating · 80′ LED wall

  • 80-foot-wide LED video wall spanning the stage — full-width scenic backdrops, live IMAG, lyric and content playback, and sponsor or branding moments with no scenery to build, truck, or store.
  • Fixed theater-style seating with no obstructed views — every seat is sellable.
  • Professional sound system with acoustics tuned for vocal detail.
  • Versatile lighting rig capable of dynamic looks and cues without overwhelming the room.
  • Mid-sized house: big enough for crowd energy, small enough for performer-to-audience contact.
  • Published seating chart with reserved seat maps for ticketing.
  • Climate controlled; ADA accommodations available.

Alexis Garden

Indoor · Supper club

  • Cocktail-table seating rather than theater rows — built for a dinner-and-show format.
  • Full dinner menu and bar service running throughout the performance, no minimums.
  • Sightlines from every table; intimate layout designed around the stage.
  • Climate-controlled indoor showroom.

The Siren Poolside

Outdoor · Open-air stage

  • Open-air stage on the shaded pool grounds, with a dance floor.
  • Mixed house: general admission grounds plus reserved ground-level cocktail tables with dedicated table service.
  • Suits music acts, DJ sets, and seasonal or event-driven programming.
  • Outdoor room — performances are weather-dependent, and we plan around that with you.

House-wide

  • All four rooms sit on one non-gaming resort property — no casino floor between your audience and the door.
  • Free parking across the property for your guests and your crew.
  • ADA seating in most sections, coordinated through the box office.
  • On-site box office, will-call, scanning, and door staff.
  • Two on-site F&B outlets: The Steakhouse at Alexis Garden and Pegasus Bar & Grill.
  • Resort-hosted, so hotel rooms for touring cast and crew are on the same property.

Full technical specifications — stage dimensions, capacities, inventory lists, rigging, power, and load-in — are shared room by room once we know what your show needs. Tell us your requirements below and we'll come back with the specs for the rooms that fit.

What we look for

Who you are
Use the email you'll log in to the Producer Portal with.
Optional — if the show doesn't have a site yet, leave this blank. We build one for resident productions.
About the show
Optional, but the fastest way for us to get a feel for the show.
The run
A single date and a weekly residency are very different conversations — this tells us which one we're having.
Not sure? Pick the last option — we'll suggest the room that fits the show. Compare the rooms ↗
Rough is fine — we'll come back with what's actually open in the room.
Your honest estimate — it helps us match the show to the right room.
Optional — a rough list is fine at this stage.
What's behind the show

Why we ask: the room, the ticketing, and the distribution are ours — but the money behind the cast and the advertising is yours, and it's the clearest predictor of whether a run works here. There are no wrong answers. A show that's underfunded is one we'd rather help you re-scope now than watch close early. Answers stay confidential.

Everyone you'd need in the building for a performance, on stage and off.
A range or a per-performer figure is fine — we're checking that the show's economics work in the room, not holding you to a number.
What you can put behind advertising the show. For single dates, answer with the total for the engagement rather than a monthly figure.
Optional — a rough picture is enough.

This form is an inquiry. It does not reserve dates or guarantee a booking — any run is subject to a separate written agreement.